Things We Leave Behind

by Soliloquium

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Metalhamster
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Metalhamster Melodic DM with great production and some BM touches. Dead Ends is a masterpiece of a track. The rest of the record is good too, but doesn't quite rise to the level of the first piece, with the possible exception of It Was All TakennAway. All in all, a solid album. Favorite track: Dead Ends.
FlashMuc
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FlashMuc Varied album between doomy melo death and Katatonian Post Metal. Safe bet for fans of those styles. Favorite track: Dead Ends.
YomaBarr
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YomaBarr Poignant, thrilling, personal and made with love, what else to ask for?

update
poignant, hah... moving to the bone. Congratulations, Soliloquium.
Sonny92
Sonny92 thumbnail
Sonny92 Death doom in the vein of Katatonia and October Tide. I prefer DDM in the old-school style of Autopsy and Coffins, but accepting that this isn't that kind of metal it does turn out to be pretty decent. It's death doom is tempered by more reflective, post-metal and progressive sections with clean vocals, I'm guessing very much influenced by Steven Wilson and Mikael Akerfeldt. It's very melodic and, in truth, a million miles from down and dirty death doom, but it's pretty good if that's your bag.
H.L.
H.L. thumbnail
H.L. SOLILOQUIUM perform dynamic and varied melodic death doom metal and remind me here and there at October Tide, Swallow the Sun, Katatonia or even early Windir in some songs because of the wild melodic guitars. On this album I have some clear favourites, mainly the songs which are a bit more lively and contain more growls, as I prefer them to the clean vocals (except the monumental "The Discarded"). My other favourites are the mighty "Existential Misshape" and the catchy "It was all taken away". Favorite track: The Discarded.
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1.
Dead Ends 05:46
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Reminiscence 05:42
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Nocturne 04:50
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The Recluse 07:28

about

"Things We Leave Behind" is an account of personal hardships, alienation and dark Stockholm nights. It picks up where 2018's "Contemplations" left off. Expect Swedish-style progressive death/doom metal similar to bands like Katatonia, October Tide and Daylight Dies. The album has some of the most extreme moments in the band's history, as well as some of the most lush and beautiful. The point is to tell a story that's both introspective and relatable at the same time. It's both an account of personal issues and a commentary on the growing mental health epidemic.

credits

released March 16, 2020

CD layout by Naturmacht Studios

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